Showing posts with label RETRO POLITICS. Show all posts
Showing posts with label RETRO POLITICS. Show all posts

Monday, July 31, 2023

"The Retromania Election"

Piece in the New Statesman by Fergal Kinney on the stagnant and deja vu condition of British politics takes for its title "The Retromania Election" - and not only has a para on my book-of-the-same but also a para picking up on recent points I made in this interview with Shawn Reynaldo for his First Floor newsletter. 

Talking about the way that British pols routinely reference distant predecessors and slogans from  bygone electoral campaigns, Kinney asks, " Do British politicians and their advisers have any reference points beyond themselves? If these people are able to draw from history or finance or literature, they’re doing an excellent job of hiding this. British politics’ retromania is what happens when politics is drawn heavily from those who have studied politics – the line is blurred between practitioners and, well, fans. It creates a language that’s off limits to younger voters who might look for inspiration to figures in tech or in activism instead of cultivating a working knowledge of Labour’s grand old men."

Here's a good gag:

"That sense of every decade happening at once has recently become part of British politics. “If you think our job in 1997 was to rebuild a crumbling public realm,” Starmer said in May this year, “that in 1964 it was to modernise an economy overly dependent on the kindness of strangers, in 1945 to build a new Britain, in a volatile world, out of the trauma of collective sacrifice – in 2024, it will have to be all three.” Labour in government: the deluxe Greatest Hits box set."

Tangentially the piece reminded me of the way that "retro" type insults and accusations were wielded in previous UK elections - each side accusing the other of being a nostalgic reenactment or tribute act

It's much the same in the USA, where looking-back and dynasticism (the longing for hereditary monarchy and regal succession that's buried not-deep in the American political consciousness) results in grotesquerie like RFK Jr.'s campaign and - out on the loopy-loo perimeter - the bizarre fantasy of an undead JFK Jr returning to form a double-ticket with Trump. 


Sunday, June 27, 2021

brand new you're retro (Britpol's rhetoric of revivalism, revived)

"Culturally I am stuck in the 1990s, so I feel nostalgic that the clothes and political culture is back" - Jess Philips

Not sure what she meant there - unless the tweet is in reference to Tory too-long-in-power-malaise of corruption and scandal versus a new New Labour being in the offing  (dream on Jess, dream on). But what really struck me was that it was the return of Retro Analogies to the Discourse of UK Politics.

In case, you can't remember, here's some revival-bloggage of my own - from 2015 - 2016 when it seemed like everybody, EVERYBODY - anti-Corbyn bods, Cameron's Tories, and sometimes the Corbynites themselves - were firing off scornful accusations of their opponents being the political equivalent of a tribute act, a revival, a reenactment society etc

2015 post

Contestants for the leadership of the Labour Party, and media commentators, are in a free fire war to tar the side they don't like with the concept of "retro politics" - accusing each other (or in the case of most media pundits, castigating Jeremy Corbyn) with attempting to turn the clock back, being a throwback, being an Eighties revivalist, a restorationist (reinstating Clause IV) etc.  Years of retrogade infamy or historic defeat - 1983, 1997, 1992, 1979 - are being hurled back and forth as damning instances of replay and reenactment. 

A quite different argument is this one made by Matthew d'Ancona from a few weeks ago in which he presents Corbyn (and Trump) as figureheads for a kind of NOW!-ist politics that offers a salve for the injuries caused by globalisation / neoliberalism.

D'Ancona starts by saying that Liz Kendall is justified in labelling JC "as a retro-politician, peddling  'Bennism reheated, a throwback to the past … We are the party of the future not a preservation society'.” .... 

But then he argues that "such attacks slide off the Teflon Trot because they misconstrue the role of history in contemporary culture.....  When Blair announced his intention to transform his party, he simply renamed it New Labour. When the freshly elected Tory leader, David Cameron, wanted to unsettle his veteran opponent at his first PMQs in December 2005, he said of Blair: “He was the future once.” Yet we seem to have moved on even from that division between nostalgia and modernity. Corbyn’s appeal to his party is not diminished by the association of his ideological position with almost every disaster that befell Labour in the 80s. According to the new rules, the candidate’s past is not only struck from the record but irrelevant."

This is because

".... a quite different form of politics is emerging, with a quite different structure. To borrow the jargon of semiotics, it is “synchronic” (cross-sectional) rather than “diachronic” (part of a serial narrative, with a before and after). It is governed by what Martin Luther King, in a very different context, called “the fierce urgency of now”. It recognises that today’s voters are the children of the digital Big Bang, bombarded with an unprecedented blitz of information, data and noise.

"They exist in bubbles of digital mayhem, less bothered by the future and the past than by getting through life moment to moment. Their universe is defined by the immediate and the deafening data stream. The contents of that stream are not ideologically coherent but they are identifiable. Corbyn, for instance, speaks to the fear that global capitalism, for all its success, has made serfs of us all, no longer citizens but the puppets of planetary corporations that are accountable to none."

JC's rise is "a response to a very specific, vivid sense of alarm. In countenance and bearing alone, Corbyn soothes that pain"...

"History did end, but not the way that Francis Fukuyama meant. It was simply absorbed into an all-encompassing present.... In the Babel of the digital nanosecond, voters are driven less by pristine moral imperatives than by the crushing weight of the immediate and of proximate stimuli. Successful politicians of tomorrow will be those who stretch out a hand and offer an analgesic. That’s why Corbyn is winning. He understands that the axiom of our era is not “Lest we forget” but “Make it stop”.

Cross-reference perhaps with Douglas Rushkoff's Present Shock: When Everything Happens Now 
(which I started to read a few years ago - but have not - boom-boom - had enough time to finish)

Yet another time-based argument about Corbyn's appeal is the "lost future" / "restoring the future" tack - the idea of going back to go forward (in which privatising the railways and the energy companies was the retrogressive step, etc etc - neo-liberalism being a new Victorianism - so why wouldn't we want to pick up again where the social democratic project was paused / sent into reverse? Renatioanlise the utilities, de-privative the NHS, etc). A Seventies revival that would actually be more advanced and forward-moving than the post-socialism of Thatcher-Major-Blair-Brown-Coalition-Cameron.

A sort of hauntological argument, even .... Corbyn's beard and clothes reassuringly reminiscent of a kindly teacher you might have had in the 70s or 80s, earnestly attempting to speak to the kids on their own level, talking about loving Dark Side of the Moon.  The ghost of an Open University lecturer.  A figure from a Look Around You bygone era.  

Not to be outdone or left out of all the "backward" accusations flying hither and thither (but mostly in his direction)  Corbyn has himself accused the Tories of 1979 revivalism

"Parliament can feel like living in a time warp at the best of times, but this government is not just replaying 2010, but taking us back to 1979: ideologically committed to rolling back the state, attacking workers’ rights and trade union protection, selling off public assets and extending the sell-off to social housing."

Update 8/29/15 - missed this prime slice of of retro spectre argumentation from last week's Guardian's by Rosie Fletcher, a young woman who sees her Corbynmania as a response to the fierce urgency of NOW - how can she be nostalgic for a moment she wasn't even alive for? 

"These patrician warnings that Corbyn only serves to drag Labour backwards serve to make me, as a young voter, feel patronised and unwanted. I had never considered that Corbyn was a throwback until people started banging on about how bad the 1980s were, seemingly forgetting that we are not actually electing a leader to be sent back in time into the exact circumstances of Jim Callaghan’s resignation. You’d think Michael Foot himself was running, attending debates in a hammer and sickle-print donkey jacket, from the amount we’ve been talking about him.
We are warned not to look to the past from people looking desperately to 1997. The Blair landslide is itself old enough to vote; it’s going round Ikea buying saucepans and looking forward to taking on £45,000 of student debt. The anti-Corbyn message clings to the past as much as it accuses his supporters of so doing.
But instead we are looking to the future. The passion and enthusiasm in these Labour members and supporters doesn’t long for the Good Old Days, whenever they may have been, but looks forward. I don’t view Corbyn as some kind of vintage nostalgia, tied up in bunting with a Keep Calm and Renationalise the Railways poster. He offers progress, not the safe stasis of the other candidates."
Her passion riled up the Ghost of 1997 himself for one last ditch blast of capitalist-realist reasoning, whose message is "resign to yourself to dreamless existence". Opening sentences: 
"There is a new phenomenon in politics or perhaps the revival of an old one. But whatever it is, it is powerful
Update 9/4/2015

More time-based "who's really the throwback" rhetoric in this Independent piece which draws analogies between Corbyn and Thatcher as conviction-led politicians on the fringe of their party who come in and take it over - to the consternation of the party establishment / "grandees", who fear that their new leader is an "unelectable extremist" - but in fact set it on the path of victory and nation-transformation / political-consensus reshaping for decades:

"The past is a comforting place, but it’s the Blairites who seem to be living there, rather than Corbyn. People who for so long believed wearing a business suit immediately conferred electoral credibility.
They seem shell-shocked by Corbynmania, but really theirs is a failure to understand that politics in Britain is being reconfigured by a bewildering array of forces: austerity, Cameron, Ukip, the SNP, immigration and inequality, to name a few. Reading off a fading Xeroxed script faxed to them in 1993 by Peter Mandelson just ain’t going to cut it anymore."

Update September 10 2015

Via the Guardian, a late contender that takes the biscuit:

Jon Cruddas tells Cruddas told BBC Radio 4’s Today programme that he's worried that a Corbyn-led Labour party "might turn into an early 80s tribute act, a Trotskyist tribute act, which has a culture around it which is very hostile to anybody who disagrees. "

another 2015 post:

Hilary Benn's speech was just a shallow historical reenacment, says Spectactor fellow

"It was eloquent, yes, but content-wise it reminded me of those historical re-enactment shebangs where sad men in their fifties try to inject meaning into their lives by pretending to be a Viking in a field for a couple of hours on a Saturday afternoon.

Only instead of donning archaic armour and a horned helmet, Benn and his overnight Bennites – those currently clogging up Twitter with wild claims that his speech was the best oration since the Gettysburg Address – are wrapping themselves in the moral garb of the mid-20th century warriors against Nazi Germany.

Benn’s speech, and the feverish reaction to it, confirms that British politicians, especially Labourite ones, really, really miss the Second World War. They crave the moral certainty of that conflict that pitted Us against the worst Them imaginable: a vast, murderous system of Nazism.

This is why Benn madly talked about the decision to fire a few rockets at the godforsaken city of Raqqa in the same breath as Britain’s long slog of a war against Hitler and Mussolini. Such a comparison is the height of historical illiteracy....

"But it’s clear why Benn rolled out the Hitler talk, like an elderly, nostalgic lady dusting down her Vera Lynn collection: because in an uncertain, values-lite era like ours – where relativism rules, ‘Britishness’ is treated as a swear word, and ‘Who am I to judge?’ is the cloying cri de coeur – nothing looks more attractive than the sharp moral divide and mass momentum of the events of 1939 – 1945. Benn was indulging in generational envy, bathing temporarily in the light of what our grandfathers thought and did.

But his act was unconvincing. There was a striking disparity between his descriptions of what British forces must do against Isis now and his citing of the war glories of the past. British missiles in Syria can ‘make a difference’, he said; we can give Isis ‘a hard time’. Scary stuff!

Try to imagine Churchill uttering such soft, schoolteacher-style platitudes during the war with Germany. Where’s the talk of blood? Sacrifice? Victory?" 

What's interesting to me - regardless of pro and con of the piece's argument - is how the use of retro-as-pejorative as become a standard fixture of political debate in the UK. The metaphor of Corbynism as an 80s tribute act is well-worn at this point. People on either side fire back accusations of being a revival, a throwback, a replay,  reenactment....

and another

"“We can’t go back to an old fashioned Labour party – not just back to the politics of the 80s but of the politics of the 50s – treating women as incapable of the top jobs, and a party led by two men,” Cooper said...
Personalising the subject, Cooper added: “It’s been a startlingly retro campaign debate. Andy’s campaign seem to be calling for Liz and I to bow out and leave it to the boys, or suggesting that somehow women aren’t strong enough to do the top jobs.
“Liz has been asked about her weight, I’ve been asked (on [BBC Radio 4’s] Woman’s Hour of all places) about whether I can possibly do this job because of my husband, and any talk about me being a working mum has been used as a sexist way to divide Liz and I and criticise Liz for not having children.
- from the Guardian


2016 post (title 'Second Time as Farts" haha)
Retro rhetoric deployed in political commentary - including Oasis analogy -  ahoy!: International Business Times's James Bloodworth accuses  Labour Party of "becoming a historical re-enactment society"

Recalling a visit to a People's Assembly rally in 2015, he notes that "there is always a whiff of obsolescence about proceedings. It is invariably the same people making the same speeches to a familiar crowd. The audience will be fired up with talk of Chartists, Cable Street and the 'rank and file'..."

"One of the biggest events like this is the Durham Miners' Gala, held annually during the second weekend of July. Now in its 132nd year, the gala is a carnival of nostalgia, featuring a huge march with brass bands and an assortment of magnificent red and gold banners. The march, which can still attract as many as 100,000 people, finishes at Durham's old racecourse, where rousing political speeches are delivered to the assembled crowd of former miners, local people and left-wing activists of all ages. The gala grew out of trade unionism and Britain's position as a major coal-producing nation on the back of the industrial revolution."

But "with the virtual disappearance of the collieries the gala functions today as something like a historical re-enactment society. And there is nothing necessarily wrong with that. The memory of something better – or to be more precise, the memory that better things had to be fought for by workers through trade unionism and struggle – is one that is well worth preserving."

"But when the past becomes an obsession it can act as a dead weight on meaningful action in the present. This was strikingly apparent at the Durham Miners' Gala this weekend, where it became clear that for those running British trade unions performative leftism has well and truly trumped any desire to improve the life chances of Britain's new working class.... the glowing reception offered to Labour leader Jeremy Corbyn by the Gala – and the corresponding message sent to anti-Corbyn MPs that they were 'not welcome' – ought to set alarm bells ringing. No serious person believes that Jeremy Corbyn can win a General Election; yet the old men at the top of British trade union movement continue to back a useless leader because he plays a nostalgic tune that they and a dwindling number of their comrades recognise....

"At the Durham Miners' Gala this weekend, as at so many left-wing events these days, speakers took to the stage amidst the paraphernalia of an abstract idea of what being working class once was – collieries, brass bands and communist tents with portraits of Joseph Stalin... "

"When historians of the future document Britain's decline, they will invariably seek askance at the call centres and distribution sheds which dot the landscape of once proud working class communities and wonder what on earth happened to the unions. If they look a little closer they will find that sloganeering and historical re-enactment ultimately replaced genuine solidarity with the poor. 'The Beatles aren't coming back,' someone once joked, 'and so people make do with Oasis'. The socialism of the 20th century is dead and so comrade Jeremy Corbyn's worthless tribute act rolls on."

You know, I remember feeling like this a bit in 1985 - when I went to some kind of outdoor fair  in Oxford on behalf of the miners. That there was a lot of old banners and ceremonial paraphernalia harking back to the storied glory of the early unions and friendly societies...   such that the whole thing felt a bit like a traction engine rally.

Still...

If Corbynism is a throwback, what does that make the Leavers? (Or May versus Leadsom - Thatcher's unelected resurrection versus Thatcher's unelected resurrection)

And Eagle & Crew are worse -  not a Beatles remake, but a tribute act to Britpop (Blair triangulation -  but without even the media-savvy slickness and presentational / public relations skills...)




Monday, November 19, 2012

retro politics (part 34)

The schadenfreude glow has yet to fade completely...   the joy (the relief) of seeing
"the reality-evading bubble" burst, the flood of "real knowable facts out there" break through the ideological levee that protects the "reality-distortion field" that is Republicanism "epistemic closure"
All the justifiably gleeful scorn on our side ("enconsced in an alternate reality",   "triumph of ideology over the real world",  "superglued to the past" ,“retro in-the-bubble ideas”) sent me back to that infamous quote

You know the quote, the one where the term "reality-based community" was first uttered in public earshot: Ron Suskind's 2004 New York Times Magazine article on George W. Bush... the passage where he's talking to an aide, a very high up one (some believe it was Rove)...

The aide said that guys like me were ''in what we call the reality-based community,'' which he defined as people who ''believe that solutions emerge from your judicious study of discernible reality.'' I nodded and murmured something about enlightenment principles and empiricism. He cut me off. ''That's not the way the world really works anymore,'' he continued. ''We're an empire now, and when we act, we create our own reality. And while you're studying that reality -- judiciously, as you will -- we'll act again, creating other new realities, which you can study too, and that's how things will sort out. We're history's actors . . . and you, all of you, will be left to just study what we do.''

Chilling stuff

And yet...


Be honest now-- shove to one side the fact that it's (probably) Rove who said that...  forget if you can the context of  the Iraq War... 

Isn’t there a tiny bit of you that thrills to the idea in that quote? The idea of being History's actors...  not subject to reality, but bending it to your will...  Isn't it actually reminiscent of that saying about how "the point is not to understand the world, but to change it"?

Regardless of the ends that this particular historical manifestation of will to power/will to truth  directed itself towards... the underlying idea there is a larger conception of politics than the one (modest improvements in things-as-they-are) envisioned (visionlessly) by the side I'm so very very glad won the last election (the sensible side, the sane side) 

One of the things that perplexes people on the Left about heartland middle-or-low income Republican voters is why they vote against their own economic interests, why they side with plutocracy and corporations...  as in. What's The Matter With Kansas?...  but (once again disregarding the reactionary nature of those ideals and value from our point of view) surely voting for something bigger than or just other than your narrow economic interests, that's what politics should be, right?

Demographics-derived calculus of  the Silver sort is a factsist regime that can't really account for things like tidal surges of fervour or interest-transcending idealism... 

"The refusal to let facts get in the way" --  it sounds really bad, so pernicious. But then wasn't that what civil rights was? What abolitionism was?

Or what a counterculture is: the refusal of the limits of reality as currently understood and accepted.


The difference is: the counterculture defeated in the last election was refusing reality in the name of a past that never really was....    But (c.f. Mark Fisher's Capitalist Realism) it is possible for countercultures to refuse reality, to fly in the face of "facts",  in the name of a future that could be.

Tuesday, September 4, 2012

retro politics and time warfare


Looking at bits of the RNC last week, I sometimes felt like I was watching a costume drama, with the participants -- particularly the women - dressed in period clothes, wearing period hair.  (Not sure which period exactly, just that there was a strong sense of not-now-ness,  non-contemporaraneity, about the proceedings).


Similar impressions have cropped up in much of the commentary on the convention:

"Paul Ryan gave a great attack speech. But it felt like a throwback to an earlier time. Everyone in the hall loved the iPod line last night from Paul Ryan. He listens to Led Zeppelin, and Mitt Romney doesn't. Modern. Current. Today. Led Zeppelin broke up 32 years ago. By that standard, Chris Christie is more contemporary with his love of Bruce Springsteen.. but that wasn't the only way in which the Ryan speech seemed of a previous generation."  [John Dickerson, Slate]


"The GOP is now running on the fumes of its own nostalgia" [Leslie Savan, The Nation]

Although it doesn't explicitly reference the idea of anachronism and turning back time, I think you can read into the following analysis of the Clint Eastwood Performance a sense of competing realities, the desire to over-ride the present with a largely fictional past, to impose yesterday over today.


"Add Eastwood's little make-believe sketch to the mounting evidence... that the Republican Party has completely checked out of the "reality-based community," and intends never to look back..  No longer does the Republican Party feel even a perfunctory obligation to even appear to be tethered to the same reality that the rest of the country experiences... The rub in their dastardly plan to transport the electorate away from actual reality is, of course, the Fourth Estate. Recognizing this, candidates from Sarah Palin to Sharron Angle all the way up to Gov. Romney have scrupulously sequestered themselves away from being asked to reconcile their version of reality with the reality that others experience." [Scott Wooledge, DailyKos]

The Eastwood Show, or the Tea Party, as the ghost dance of a tribe on the edge of extinction, a defeated demographic left behind by History. And finding succour in what Svetlanya Boym calls "restorative nostalgia"

("Restore" is a key word in Tea Party/Glenn Beck discourse) 

(Hence the garbled attempt at retroptimism in Restore Our Future, the name/slogan of a pro-Romney super PAC, where the bright tomorrow is the return of the good old days)

The notion of this election, and the Red State versus Blue State divide, as not so much as a cultural war as a time war, has now emerged as a major leitmotif of the Obama Campaign

In his post-RNC speeches, the President has been mocking the Romney convention as "a re-run", something that should have been shown on Nick At Nite. Describing the Republican platform as "better suited for the last century", Obama told a crowd in Urbandale, Iowa, "we'd seen it all before, you might as well have watched it on a black-and-white TV."

And then there's this Democratic campaign commercial, which pegs RyanRomney's vision as a relic of a "Bygone Era"  and is done in the style of a black-and-white movie era newsreel, complete with "retro spinning graphics and the action seemingly shot with a hand-cracked camera" and filtering on the narrator voice-over to give it that old-timey crackly quality. 




A hauntological ad imploring us not to join R&R in their Ghostworld

retro politics and time warfare

Looking at bits of the RNC last week, I sometimes felt like I was watching a costume drama, with the participants -- particularly the women - dressed in period clothes, wearing period hair.  (Not sure which period exactly, just that there was a strong sense of not-now-ness,  non-contemporaraneity, about the proceedings).


Similar impressions have cropped up in much of the commentary on the convention:


"Paul Ryan gave a great attack speech. But it felt like a throwback to an earlier time. Everyone in the hall loved the iPod line last night from Paul Ryan. He listens to Led Zeppelin, and Mitt Romney doesn't. Modern. Current. Today. Led Zeppelin broke up 32 years ago. By that standard, Chris Christie is more contemporary with his love of Bruce Springsteen.. .but that wasn't the only way in which the Ryan speech seemed of a previous generation."  [John Dickerson, Slate]



"The GOP is now running on the fumes of its own nostalgia" [Leslie Savan, The Nation]

Although it doesn't explicitly reference the idea of anachronism and turning back time, I think you can read into the following analysis of the Clint Eastwood Performance a sense of competing realities, the desire to over-ride the present with a largely fictional past, to impose yesterday over today.


"Add Eastwood's little make-believe sketch to the mounting evidence... that the Republican Party has completely checked out of the "reality-based community," and intends never to look back..  No longer does the Republican Party feel even a perfunctory obligation to even appear to be tethered to the same reality that the rest of the country experiences... The rub in their dastardly plan to transport the electorate away from actual reality is, of course, the Fourth Estate. Recognizing this, candidates from Sarah Palin to Sharron Angle all the way up to Gov. Romney have scrupulously sequestered themselves away from being asked to reconcile their version of reality with the reality that others experience." [Scott Wooledge, DailyKos]

The Eastwood Show, or the Tea Party, as the ghost dance of a tribe on the edge of extinction, a defeated demographic left behind by History. And finding succour in what Svetlanya Boym calls "restorative nostalgia"

("Restore" is a key word in Tea Party/Glenn Beck discourse) 

(Hence the garbled attempt at retroptimism in Restore Our Future, the name/slogan of a pro-Romney super PAC, where the bright tomorrow is the return of the good old days)

The notion of this election, and the Red State versus Blue State divide, as not so much as a cultural war as a time war, has now emerged as a major leitmotif of the Obama Campaign

In his post-RNC speeches, the President has been mocking the Romney convention as "a re-run", something that should have been shown on Nick At Nite. Describing the Republican platform as "better suited for the last century", Obama told a crowd in Urbandale, Iowa, "we'd seen it all before, you might as well have watched it on a black-and-white TV."

And then there's this Democratic campaign commercial, which pegs RyanRomney's vision as a relic of a "Bygone Era"  and is done in the style of a black-and-white movie era newsreel, complete with "retro spinning graphics and the action seemingly shot with a hand-cracked camera" and filtering on the narrator voice-over to give it that old-timey crackly quality. 




A hauntological ad imploring us not to join R&R in their Ghostworld