Sunday, November 24, 2024

punk is dad

This made me chuckle 





This made me frown 
















Still enough of a believer to consider it defilement to have a version of "Sex Pistols" tread the boards without Johnny Rotten....  

Other bands that go the prosthetic singer route, I'm not so bothered.

Well, there's one and half others on the same Glasgow punkstalgia lineup that are doing that - The Stranglers, sans Hugh Cornwell, with a younger-than-the-others singer (younger-than-the-others - what am I saying? Only Jean-Jacques Burnel remains from the original line-up, what with Jet Black and Dave Greenfield now dead).  

And then Buzzcocks are the 'half' -  insofar as Diggle (I assume) is singing the Shelley-sung songs as well as the smaller number of numbers he originally sang. 

^^^^^^^^^^^^^^^^^^^^

Talking of "punk is dad", I had a "rave is dad" experience the other night - went to see Orbital in LA. They were playing the first two albums - with an intermission in between! - and so, if you think about it ,that would necessarily largely draw a crowd who remembered those records from the early '90s - thirty years ago. So we are talking fiftysomethings for the most part.

Wasn't quite Cruel World levels of haggard, but yes a lot of baldness, bellies, and time-creased faces on show.  You sensed a lot of memory-rushes were being triggered in the assembled, but that was not quite enough to galvanize manic dancing in the old style.  

Some of the bar staff and the sound guy behind the mixing desk seemed on the grizzled, elderly side too. Perhaps veteran promoters and rave-scene people?

Surely now in their early sixties themselves, the brothers Hartnoll were great. Well, some of the material on those albums was a tad middling, but the killer tunes - fantastic. Triffic lights 'n' lasers 'n' projections too - that's something that has advanced in leaps and bounds since back-in-the-day. They got a very warm reception and they seemed to be quite touched by it. 


This must be the fourth - or possibly fifth - time I've seen Orbital live, but the last time would have been way back in the mid-90s.  

The very first time - when they were then almost alone in being able to play techno live - was the late 1991 rave conversion experience I describe in the intro to Energy Flash. Well, the whole night really was that - as opposed to any specific deejay or group that played - and above it, it was the audience's dancing 'n' demeanor as much as the music 'n' lights that blew my eyes. But Orbital certainly were a crucial component of this baptismal immersion in a new culture. 

Then the following year, I traipsed down to Sevenoaks for an interview and they gave me my very first glimpse of the Silver Box - I don't think they let me twiddle the knobs myself but they showed how the 303 makes those wibbly-wibbly acid sounds.  

Phil and Paul then - and now.


Come to think of it, it was probably this very cubbyhole in which they showed me the 303 in '92.

Also come to think of it - Orbital were punk-is-dad before they were rave-is-dad. If I recall right they had been into anarcho-punk and Crass and stuff like that before getting swept up in acid house.


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Punk-gets-parental is not really news - I can remember when we were still in NYC and Kieran was little (so early 2000s), some of his pre-school friends's mums had a hobby band, all-female, playing punk rock. And then a few years later, at my brother's kids's elementary school in Silverlake, at a school fair or fund-raiser, there was this band of dads entertaining the assembled with punk cover versions. 

And of course there's that thing of parents buying tiny T-shirts with the Pistols or Ramones or Clash logo on for their kiddies to wear.  (We did that, I confess - before it was completely played out, honest!)


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(A) punk is (grand)dad...

Just watched Blitz (ooh but it's clunky) and there was the surprise of Paul Weller playing the little evacuee boy's grandfather - silvery hair swept back in the 1940s style, face lined with ridges. He looks distinguished, though, as an old gent.

















12 comments:

Matthew McKinnon said...

I was quite confused at first by Weller in Blitz. I kept thinking ‘is it Jeremy Irons? Who is it?’ until I calmed down and accepted what my eyes were seeing.

He was really good though! A second career beckons.

William said...

Punk is Grandad. Now a retirement hobby for some: https://www.bbc.co.uk/news/articles/cjw0ze37x49o

Matt M said...

I was at the 25th birthday party for a club night last month with a bunch of people in their 40s / 50s / 60s. It started at 4pm and finished at midnight.

And a friend is in a covers band called "The Grateful Dads".

What are we all supposed to do? Move over to Andre Rieu? (a fave of my wife's 104 yr old great aunt)

Paul Weller was good in Blitz. But I got the impression that he was kinda playing himself (or who he would like to be).

Stylo said...

Speaking of lacklustre replacement frontmen, after Freddie Mercury died, Queen decided to try and carry on with Paul Rodgers filling Freddie's gap. I'm not a Queen fan, but by God, that has to be the most ill-conceived attempt at replacing a lead singer. You can almost admire the chutzpah of the Rodgers gambit, but you can never escape the fact that it's Queen without Freddie Mercury, and what's the point of that?

Asif said...

One of my most thrilling shows was seeing Orbital, sometime in '96-ish, in Philadelphia. The crowd energy was nuts.

Somehow it seems appropriate to be decrepit and old to rock/guitar music, sort of like Spinal Tap. You somehow can picture it and it doesn't seem incongruous. Foghat on tour in 2024, move along now, nothing to see. But something seemingly odd about at-one-time futuristic electronic music playing to the 50-60-something set with back problems, hair loss, and pot bellies, swaying weakly to 'Chime.' (Speaking as one in that demographic). When the Future needs to go home and lie down.

SIMON REYNOLDS said...

Paul W does a decent job - even more than him just playing himself, though, I reckon he would have loved to have lived through the Blitz and WW2, for the sense of purpose and moral clarity, every one pulling together etc (although the movie questions the latter to some degree)

The Paul Rodgers as Freddie Mercury prosthesis is so unsatisfactory-seeming because Free / Bad Company is so far from Queenly baroque 'n' roll excess - clean-lines blues-rock, as hetero and uncamp as imaginable. It's hard to imagine him pulling off "Bohemian Rhapsody" or "Killer Queen".

Wasn't there an earlier Queen-erstaz with Adam Lambert as the prosthesis? That makes a lot more sense, his thing comes as much more musical theatre as pop. Also the sexuality fit is better.

Stylo said...

My mates and I once tried to think of bands that improved after losing their original lead singer. The two most justifiable suggestions were Pink Floyd (not a fan at all, but I prefer DSOTM to Piper at the Gates of Dawn, and yet I despise The Wall) and Iron Maiden (literally nobody in the world prefers Paul Di'Anno to Bruce Dickinson). Are there any others?

Ed said...

Exactly right about why Paul Rodgers was such a disaster. It’s amazing that the surviving members of Queen thought he might fit: it suggests they didn’t understand their own band at all. To be charitable about it, perhaps they were a little deranged by grief at the loss of their friend, and weren’t thinking clearly at all.

The Adam Lambert version actually came after Paul Rodgers, and continues to this day. You sometimes seem them billed as “Queen with Adam Lambert” in concert promos.

IIRC, they found Adam Lambert in one of the TV reality shows - America’s Got Talent, maybe? - where he performed Queen songs as a contestant. They are not the only band to hire an impersonator from a talent show or a tribute band to fill the gap left by a departed member, although I can’t quite remember what the others are. Journey? Marillion? The Stranglers?





Ed said...

New Order, I have seen argued, although I am not sure I agree. Deep Purple. Mercury Rev, probably most people would argue, although I am again not at all sure I agree. Can.

Ed said...

The recently-discussed Rainbow got worse after losing their original vocalist, IMO, but became much more commercially successful.

Ed said...

Oh, and another: Fleetwood Mac. Pretty indisputable, IMO

Ed said...

I may be the one weirdo who prefers Di’Anno’s Maiden to Dickinson’s. Not a huge fan of either, but Di’Anno’s technical limitations made them a more interesting band, with one boothold still in the New Wave.