a past gone mad (eternal returns)

this lineup of horror for 2021 (promoters hopefully assuming things return to normal on the mass gathering front) flashed me back to those strange jumbles of artists from different eras that I would see in the section of concert / tour / festival ads at the back of Uncut in the mid-2000s

blogged about it in this 2005 post A Past Gone Mad, an early expression of befuddled dismay and atemporal disorientation of a kind that culminated in me doing Retromania a few years later

a decade-and-a-half on, there's even more of a Nineties flavour (in 2005 The Farm, Happy Mondays, a Hacienda renactment represented baggy-nostalgia) but there's also a discernible Noughties-redux ripple running through the hodgepodge

if we're retro-blogging (in both senses) here's a couple more Past Gone Mad blogs from back in the day

"it sounds modern"

Son, on hearing Art of Noise for first time, 35 years after the event: "It sounds modern"

I wonder why: something about the very limitations of early digital technology (incredibly restricted sample time - a second and a half - which necessitates a stab-oriented sound) making everything stark and angular? c.f. later vastly expanded digi-powers that allow for near-naturalistic levels of detail and fiddly nuance

he was also impressed with this Kraftwerk video (although possibly enjoying its retro qualities as with videogames of that era)

this video elicited no reactions...

Ghostly voices

I first heard of this album in connection with Brian Eno -  this 1971 LP was one of only a few recordings he took with him on a vacation to Thailand in the late '70s. It got Eno interested in the musical properties of speech, the "redundant information" it contained, especially when regionally accented or dialect - a non-signifying surplus that supplied character and rhythm. That led ultimately to My Life In the Bush of Ghosts.

Fancied having this for quite a long while before finally splashing out a few years ago (although it wasn't particularly pricey and nowadays seems to be cheaper). But then as you do, only just got around to listening to it.

Listening to the record now, there is a poignant overlay that would not have been present when Eno heard the record only seven or eight years after its release. It's a document of localized speech patterns, idioms and sometimes words that must have largely disappeared by this point. Almost all of the speakers - seemingly middle aged or elderly at the time of recording - will surely have passed away by now too.


Side One 
1 Birmingham
2 Black Country
3 Buckinghamshire
4 Cornwall
5 Cotswolds
6 Cumberland
7 Devonshire
8 Geordie (Durham)
9 Newcastle
10 Hampshire
11 Lancashire
12 Liverpool
13 Manchester
14 Leicestershire

Side Two
1 London (Cockney)
2 Norfolk
3 Somerset
4 Bristol
5 Suffolk
6 Sussex
7 Wiltshire
8 Worcestershire
9 Yorkshire
10 Isle Of Man
11 Ireland: (Ulster / Eire)
12 Scotland: (Edinburgh / Glasgow / Inverness)
13 Wales: (North / South)

ЭТО БЫЛО ЗАВТРА

                                           

                                                 



                                                 


                                                

  

    

                                                

Nikolai Lutohin

the future that never came

Prospective 21e Siecle display at A-Muzik, Koln

(via Emili Miró)