Son, on hearing Art of Noise for first time, 35 years after the event: "It sounds modern"
I wonder why: something about the very limitations of early digital technology (incredibly restricted sample time - a second and a half - which necessitates a stab-oriented sound) making everything stark and angular? c.f. later vastly expanded digi-powers that allow for near-naturalistic levels of detail and fiddly nuance
he was also impressed with this Kraftwerk video (although possibly enjoying its retro qualities as with videogames of that era)
I first heard of this album in connection with Brian Eno - this 1971 LP was one of only a few recordings he took with him on a vacation to Thailand in the late '70s. It got Eno interested in the musical properties of speech, the "redundant information" it contained, especially when regionally accented or dialect - a non-signifying surplus that supplied character and rhythm. That led ultimately toMy Life In the Bush of Ghosts.
Fancied having this for quite a long while before finally splashing out a few years ago (although it wasn't particularly pricey and nowadays seems to be cheaper). But then as you do, only just got around to listening to it.
Listening to the record now, there is a poignant overlay that would not have been present when Eno heard the record only seven or eight years after its release. It's a document of localized speech patterns, idioms and sometimes words that must have largely disappeared by this point. Almost all of the speakers - seemingly middle aged or elderly at the time of recording - will surely have passed away by now too.
Side One
1Birmingham
2Black Country
3Buckinghamshire
4Cornwall
5Cotswolds
6Cumberland
7Devonshire
8Geordie (Durham)
9Newcastle
10Hampshire
11Lancashire
12Liverpool
13Manchester
14Leicestershire
Side Two
1London (Cockney)
2Norfolk
3Somerset
4Bristol
5Suffolk
6Sussex
7Wiltshire
8Worcestershire
9Yorkshire
10Isle Of Man
11Ireland: (Ulster / Eire)
12Scotland: (Edinburgh / Glasgow / Inverness)
13Wales: (North / South)