Showing posts with label REM KOOLHAAS. Show all posts
Showing posts with label REM KOOLHAAS. Show all posts

Wednesday, June 13, 2012


the great slow down

from the recent issue of The Baffler, a thought-provoking article on the future that never came -  "Of Flying Cars and the Declining Rate of Profit" by David Graeber:

"There is reason to believe that even by the fifties and sixties, the pace of technological innovation was slowing down from the heady pace of the first half of the century... [but] because the space race gave everyone the impression that remarkable advances were happening, the popular impression during the sixties was that the pace of technological change was speeding up in terrifying, uncontrollable ways.

"Alvin Toffler’s 1970 best seller Future Shock argued that almost all the social problems of the sixties could be traced back to the increasing pace of technological change....Humans were not psychologically prepared for the pace of change, Toffler wrote. He coined a term for the phenomenon: “accelerative thrust.” It had begun with the Industrial Revolution, but by roughly 1850, the effect had become unmistakable. Not only was everything around us changing, but most of it—human knowledge, the size of the population, industrial growth, energy use—was changing exponentially....  

"While many of the historical trends Toffler describes are accurate, the book appeared when most of these exponential trends halted. It was right around 1970 when the increase in the number of scientific papers published in the world—a figure that had doubled every fifteen years since, roughly, 1685—began leveling off. The same was true of books and patents.

"Toffler’s use of acceleration was particularly unfortunate. For most of human history, the top speed at which human beings could travel had been around 25 miles per hour. By 1900 it had increased to 100 miles per hour, and for the next seventy years it did seem to be increasing exponentially. By the time Toffler was writing, in 1970, the record for the fastest speed at which any human had traveled stood at roughly 25,000 mph, achieved by the crew of Apollo 10 in 1969, just one year before. At such an exponential rate, it must have seemed reasonable to assume that within a matter of decades, humanity would be exploring other solar systems.

"Since 1970, no further increase has occurred. The record for the fastest a human has ever traveled remains with the crew of Apollo 10. True, the maximum speed of commercial air flight did peak one year later, at 1,400 mph, with the launching of the Concorde in 1971. But that speed not only has failed to increase; it has decreased since the Concorde was abandoned in 2003."

 

 among Graeber's arguments is that the misleadingly spectacular space race happened because the USA imitated the USSR -- NASA and Apollo was a gargantuan feat of planning and state-organised mobilisation of resources, and in that sense profoundly unAmerican...  and (once the race to the Moon was won) quickly abandoned

"It’s often said the Apollo moon landing was the greatest historical achievement of Soviet communism. Surely, the United States would never have contemplated such a feat had it not been for the cosmic ambitions of the Soviet Politburo. We are used to thinking of the Politburo as a group of unimaginative gray bureaucrats, but they were bureaucrats who dared to dream astounding dreams."

c.f. the Rem Koolhaas thing I quoted earlier in the year, where he--talking to Frieze about Expo 70 in Japan--identifies 1970 as a pivotal year, a peak:

"I was referring more to the spirit of the world’s reaction to both the launch of Concorde and the Moon landing than to the Expo itself. But it’s not only about technical prowess: it’s more to do with what can be imagined and what dimension imagination has in serious life. An organization like NASA was, essentially, 4,000 people seriously entertaining fantasy: that scale of working on visionary elements is now incredibly reduced. At the moment we want to achieve goals that are very imminent, very realistic. Few organisations are able to define an unconventional aim and then to engineer its implementation, even over a period of ten or 12 years. These days, projects often have a maximum of only four years in which to be realized, as that’s the typical period that a politician is in power.... [What fascinates me is] the combination of imagination and government action, of architecture and bureaucracy. The public sector is the sector with vision, and I think this is something that, for whatever reason, we haven’t had for a very long time."

and here's a piece I wrote a while back for Salon on this idea of "we were promised flying cars"/the future turned out less epic and spectacular and impressive 

oh and Neal Stephenson has been banging on about the absence of Big Visions of the Future in science fiction and launched something called the Hieroglyph Project to agitate for more Optimistic and Heroic imaginings of the future (as opposed to the surfeit of dystopias and cataclysms and entropic wind-downs):

"The Hieroglyph project’s first concrete achievement will be a sci-fi anthology from William Morrow in 2014, full of new stories about scientists tackling big projects, from building supertowers to colonizing the moon. 'We have one rule: no hackers, no hyperspace and no holocaust,' Stephenson says. He and his collaborators want to avoid pessimistic thinking and magical technologies like the “hyperspace” engines common in movies like Star Wars. And, he adds, they’re 'rying to get away from the hackerly mentality of playing around with existing systems, versus trying to create new things.' "

 The idea seems to be that these visions and all this positivity and ambition will directly or indirectly inspire scientists, policy-makers, children who'll grown into those roles etc etc to actually make them real, or things of this Heroic Scale. But  (if Graeber is right) that would seem to be a doomed attempt at  top-down, superstructure-leading-the-base, change... 




Tuesday, May 15, 2012

too much memory / the internet as hyperthymesiac



piece at the Atlantic by Megan Garber on "making the internet more like our brains" and how "the next wave of digital products won't just be about archiving the web; they'll be about destroying the archive":


"Anti-archival tools provide a countervailing force to one of the defining features of the Internet: that, with its nearly infinite space, "save all" is its default setting. Without even trying, the Internet remembers. And that doesn't just mean that the comment you left on that Joss Whedon fan site that one time is still sitting there, emoticon-ed and gif-ed and captured for posterity within the all-knowing neurons of Google. It also means that the web, as a broad space, operates on both an assumption and an architecture of continuity. Within it, and all around it, archive is assumed. Even when we die ... there, still, we are.

"... But there are also drawbacks to digital omniscience. It's telling that people diagnosed with hyperthymesia have described their limitless memories not as blessings, but as burdens -- ones that are "non-stop, uncontrollable, and totally exhausting." Near-perfect recall of their experiences doesn't make these people smarter; it makes them miserable.

(Hyperthymesia (wiki says) is a syndrome in which individuals possess superior autobiographical memory... its two defining characteristics are 1) the person spends an abnormally large amount of time thinking about his or her personal past, and 2) the person has an extraordinary capacity to recall specific events from his or her personal past. Hyperthymesiacs can recall almost every day of their lives in near perfect detail, as well as public events that hold some personal significance... it takes the form of "uncontrollable associations", recollection occurring with out without hesitation or conscious effort)


now what did Jim say about this?"Speak in secret alphabets/Learn to forget"...




these bits (from Gerber's piece)


"when we talk about the Internet, we talk about feeds and flows and rivers and currents -- things determined by their dynamism and their lack of obvious containers....  The only problem, however, is that constant flux-and-flow is not actually how we humans are programmed to move through the world. We live in fits and starts, in cycles and phases, and we divide our time not just socially, in shared minutes and hours, but physically. We wake. We sleep. We have beginnings. We have endings.... When we disparage the digital environment as "overwhelming," what we're also faulting it for is its lack of a narrative. The Internet moves, but it doesn't necessarily move forward. It expands, but it doesn't necessarily follow any particular trajectory. It lacks, in that sense, a purpose. It lacks a plot. "

 reminded me (again, as so often) of Rem Koolhaas's "Junkspace". Specifically...

"Junkspace is often described as a space of flows, but that is a misnomer; flows depend on disciplined movement, bodies that cohere. Junkspace is a web without spider; although it is an architecture of the masses, each trajectory is strictly unique. Its anarchy is one of the last tangible ways in which we experience freedom. It is a space of collision, a container of atoms, busy, not dense... There is a special way of moving in junkspace, at the same time aimless and purposeful."

Thursday, March 29, 2012

flotspam and botsam

in the Toop piece in The Wire, I write about how the ocean-of-information that is the internet has become clogged with data-trash... i compare it to the Gyre, aka the Pacific Trash Vortex, where all the disintegrated-into-teensy-nodules plastic litter has been carried by tidal systems to form one gigantic disgrace-to-the-species sargasso-sea of non-biodegradable dumpage

well, news that "software is using more bandwith than people" and that "51 percent of total online traffic is non-human" makes Tower of Sleep reach for the same analogy:

"This kind of makes me think of the Great Pacific Trash Vortex or how the airspace in low Earth orbit is all cluttered full of “space junk” already from all the satellites we’ve sent up. Even in a space that we’ve created and that we usually (and somewhat erroneously) think of as immaterial or virtual, we have managed to make a mess. I think we have a long way to go in terms of developing a more ecological frame of thinking that accounts for all the assemblages that compose reality. This is a good reminder that we need ecological thinking for the internet, too."

often trawling through the internet is does strike me as this teeming,
abject waste-land... a right DUMP

naive to expect it to be otherwise, though, i suppose... anything that humans make is going to mirror our condition... our vices and virtues alike

that article and Tower of Sleep's gloss on it makes me think of two further things:

Rem Koolhaas's deliriously writhing text Junkspace, which is ostensibly mostly about architecture but keeps blurring repeatedly such that it seems to be about the internet, or some of the stuff Retromania is talking about (glutted and clotted) or ALL CULTURE NOW

and that doomsday-scenario conjured up by those who worry about the development of nanotechnology: Grey Goo

aka (via wiki) "out-of-control self-replicating robots consume all matter on Earth while building more of themselves, a scenario known as ecophagy ("eating the environment")"

Eric Drexler coined the concept in his book Engines of Creation:

"Though masses of uncontrolled replicators need not be grey or gooey, the term "grey goo" emphasizes that replicators able to obliterate life might be less inspiring than a single species of crabgrass. They might be "superior" in an evolutionary sense, but this need not make them valuable"